HOUSE OF CONSTRUCTS by Aldo Giannotti sees itself as a site for various practices of collective meaning-making and opens up a field of action between the perception of time, working practices and the canonized approach to an exhibition space. Walls become the surface for constantly growing messages and drawings, the audience is invited to "do the work" themselves. Stage elements, scaffolding, paint, and instruments become tools to achieve the common goal. Sound, light and the security guards are integrated into the process